Isaiah was a very well-educated composer of both bilingual and purely Greek hymns. His masterpiece, Serbian Polyeleos, appears in two manuscripts, one version with a Serbian recension of the text, the other with a Greek. The existence of Greek and Slavonic settings in his works shows that Serbian services were commonly bilingual. He was also the author of the bilingual Trisagion.
Many of his works are short syllabic hymns honouring the Serbian saints. Isaiah's melodies, some syllabic, others more melismatic, show his inventiveness, and his ability to introduce new and original elements, especially from the Serbian tradition, within the compositional framework of the Byzantine chant, thus creating a new and distinctive style: the Serbo-Byzantine school. His works represent two thirds of preserved Serbian Medieval music. He was also immensely popular after his death, with his compositions being copied until the late 18th century. His works are also included in the Anthologion 928 from the National Library of Greece, Athens.
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