Bluebridge Quartet

It is of no relevance when or how Bluebridge the quartet was started, but what was started. The characteristics of music is of such nature that when spoken of, words seem to lack in effort. Abstract sound explains itself. Therefore focus must be directed upon the very product of this attempt to poststructuralize jazz, to create a new progressive expression, - Postjazz. The formation of genres is no more than an unvalid, binary opposition, where the mind locks itself in an attempt to stabilize it's personal identity.

It is of no relevance when or how Bluebridge the quartet was started, but what was started. The characteristics of music is of such nature that when spoken of, words seem to lack in effort. Abstract sound explains itself. Therefore focus must be directed upon the very product of this attempt to poststructuralize jazz, to create a new progressive expression, - Postjazz. The formation of genres is no more than an unvalid, binary opposition, where the mind locks itself in an attempt to stabilize it's personal identity.

Its evident that meanings and intellectual categories are shifting and unstable. In that sense Postjazz becomes something that unheard resembles structuralism, but when listened to evolves into poststructuralism. Get in touch - info@bluebridgequartet.com or write to lastfm user Postland Members Simon Allzén - Alto saxophone/Fender Rhodes Jesper Svensson - Guitar Simon Davidsson - Double bass Erik Jonsson - Drums Erik Engblom - Guitar Rasmus Svensson - Trumpet/Glockenspiel User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL..