Arshad Tahmasbi
Arshad Tahmasbi
Tahmasbi (1336/10/28- sh) (1957- m) Tahmasbi (1957- Aligoudarz ) He was life in Sanandadj, Hamedan and Tehran at Infancy. His first Tar teacher's were Kazem Lebasi and Siavash Deihimi. His father was Mohammad Reza Lotfi's friend and Arshad teaches Music Introduction from Mohammad Reza Lotfi. Arshad went to Tehran for end of high school. He went to Lotfi’s Classroom and Houshang Zarif (in Music Conservatoire).
Tahmasbi [Arshad] (1336/10/28- sh) (1957- m)
Tahmasbi [Arshad] (1957- Aligoudarz )
He was life in Sanandadj, Hamedan and Tehran at Infancy. His first Tar teacher's were Kazem Lebasi and Siavash Deihimi. His father was Mohammad Reza Lotfi's friend and Arshad teaches Music Introduction from Mohammad Reza Lotfi. Arshad went to Tehran for end of high school.
He went to Lotfi’s Classroom and Houshang Zarif (in Music Conservatoire). He went to Tehran Music University at 1358 (1979) but he was leaves University after 1st years. He was member of Chavosh group at 1360 (1981). He cooperates in Chavosh with Hussein Alizadeh, Mohammad Reza Lotfi, Parviz Meshkatian and.
He recorded many music with them at Chavosh Canon. His teachers were Hussein Alizadeh and Mohammad Reza Lotfi. He constitution Tar and Setar Classroom at 1360 (1981). Arshad Tahmasbi is teaching Music to many students.
He cooperates with Hussein Alizadeh and performances many Concerts with Alizadeh and recorded his songs. Arshad Tahmasbi and Hussein Alizadeh are first Iranian Musicians that they were performances duet (Two Tar). He record with Alizadeh in these Cassettes: Shour Angiz, Raz-O-Niaz, Sobhgahi, Delshodegan, and Hamnavaei. He performance Concert with Alizadeh in Europe and America.
Arshad cooperated with Alizadeh in published his Books, 40 peaces for Tar and Setar and other. Arshad Tahmasbi published many book for Iranian Music and recorded many Cassette and CD. The Vocal Radif (of Traditional Iranian Music According to the version of Mahmoud Karimi with 5th Cassette) and Darvish Khan’s Pieces (with 1st Cassette and 1st CD), Roknoddin Mokhtari’s Pieces (with 1st Cassette and 1st Disc), Aref Ghazvini’s Songs, 3rd Chahar Mezrab, Dashti’s Program (Mousa Maroufi 1st book), Panjeh-ye-Dashti (1st Cassette and 1st CD), A Hundred Reng (4th Cassette and 1st CD), Deldar (1st Cassette and 1st CD). User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL..
He went to Lotfi’s Classroom and Houshang Zarif (in Music Conservatoire). He went to Tehran Music University at 1358 (1979) but he was leaves University after 1st years. He was member of Chavosh group at 1360 (1981). He cooperates in Chavosh with Hussein Alizadeh, Mohammad Reza Lotfi, Parviz Meshkatian and.
He recorded many music with them at Chavosh Canon. His teachers were Hussein Alizadeh and Mohammad Reza Lotfi. He constitution Tar and Setar Classroom at 1360 (1981). Arshad Tahmasbi is teaching Music to many students.
He cooperates with Hussein Alizadeh and performances many Concerts with Alizadeh and recorded his songs. Arshad Tahmasbi and Hussein Alizadeh are first Iranian Musicians that they were performances duet (Two Tar). He record with Alizadeh in these Cassettes: Shour Angiz, Raz-O-Niaz, Sobhgahi, Delshodegan, and Hamnavaei. He performance Concert with Alizadeh in Europe and America.
Arshad cooperated with Alizadeh in published his Books, 40 peaces for Tar and Setar and other. Arshad Tahmasbi published many book for Iranian Music and recorded many Cassette and CD. The Vocal Radif (of Traditional Iranian Music According to the version of Mahmoud Karimi with 5th Cassette) and Darvish Khan’s Pieces (with 1st Cassette and 1st CD), Roknoddin Mokhtari’s Pieces (with 1st Cassette and 1st Disc), Aref Ghazvini’s Songs, 3rd Chahar Mezrab, Dashti’s Program (Mousa Maroufi 1st book), Panjeh-ye-Dashti (1st Cassette and 1st CD), A Hundred Reng (4th Cassette and 1st CD), Deldar (1st Cassette and 1st CD). User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL..
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