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Aaron Zigman

Aaron Zigman

Aaron Zigman


Aaron Zigman (b. 1963, San Diego, California) is a composer, producer, arranger, songwriter, and musician for several recent films. He studied at the University of California, Los Angeles. While still at university, he had a contract with Almo Irving and wrote songs for Carly Simon, the T.V. show Fame (1984), and co-wrote with David Lasley, Jerry Knight and Steve Cropper. In 1983, he began studying with his cousin George Bassman (who orchestrated the Wizard of Oz and wrote the music for the films Marty and The Postman Always Rings Twice).
Aaron Zigman (b. 1963, San Diego, California) is a composer, producer, arranger, songwriter, and musician for several recent films. He studied at the University of California, Los Angeles. While still at university, he had a contract with Almo Irving and wrote songs for Carly Simon, the T.V.

show Fame (1984), and co-wrote with David Lasley, Jerry Knight and Steve Cropper. In 1983, he began studying with his cousin George Bassman (who orchestrated the Wizard of Oz and wrote the music for the films Marty and The Postman Always Rings Twice). He penned the Tommy Dorsey Classic, "Getting Sentimental Over You", was the musical arranger for Lena Horne and Benny Goodman and orchestrated for the legendary Andre Kostelanetz. In the 1980s he began to make a name for himself as a studio musician and wrote a big hit in pop music called "Crush On You" which was a top chart record for The Jets. He then worked for Clive Davis and produced and arranged for Aretha Franklin and Natalie Cole.

During this time he wrote, arranged and produced songs for many of the top singers and artists in the industry such as Ray Charles, Sting, Phil Collins, Dionne Warwick, Bozz Skaggs, Tina Turner, Seal, Carly Simon, the Pointer Sisters, Huey Lewis, Jennifer Holliday, Patty LaBelle, Chicago, Natalie Cole and Christina Aguilera. In the 1990’s he entered the film industry, with his work being featured on film soundtracks for Mulan, What’s Love Got To Do With It, The Bird Cage, License to Kill, Caddyshack and Pocahontas. Aaron Zigman wrote the score for 2004's The Notebook. User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL..
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Tweets
MusikLirikcom

MusikLirikcom

2 days ago

Bridge to Terabithia (Audio CD) newly tagged "mp3": Bridge to Terabithia (Audio CD)By Aaron Zig******... http://t.co/7OXLZLf4
amazon_info

amazon_info

2 days ago

Bridge to Terabithia (Audio CD) newly tagged "mp3": Bridge to Terabithia (Audio CD)By Aaron Zig******... http://t.co/7nL5dQw0
MaridoloArazul

MaridoloArazul

2 days ago

Steve's Theme - Aaron Zig******
Kaenzi

Kaenzi

2 days ago

カエルの王女さま見た、元気になりましたー 「本当の オリジナリティーはそこからしか 始まらない」 feat Aaron Zig****** 「The Kiss」 ♫ http://t.co/2zFcACWL 元気にしてますか?
KichaAyunita

KichaAyunita

2 days ago

Allie Returns by Aaron Zig****** (at Ta******sari 92) — http://t.co/AI1bGphp
Albiestar

Albiestar

3 days ago

My Top 3 #lastfm Artists: Her******'s Hermits (2), Aaron Zig****** (2) & Serge Gainsbourg (1) http://t.co/JqsnYkOh
twistinharry

twistinharry

3 days ago

"新スーパーマン"のスコアを担当したのが、AORファンにはおなじみ、Jay Gruska。今ではJames Newton HowardやAaron Zig******と同じ潮流に。あとJoseph Williamsも。Jayは当時、本家スーパーマンのJohn Williamsと親戚。
ori25rosas

ori25rosas

3 days ago

Aaron Zig****** - Noah's journey
aduwynu

aduwynu

4 days ago

Take the Lead (Audio CD) http://t.co/SyinQS8D
ori25rosas

ori25rosas

4 days ago

Aaron Zig****** ♥
melissaaVeraa

melissaaVeraa

5 days ago

I favorited a @YouTube video http://t.co/0q8fcWtT The Notebook Soundtrack: Main Title by Aaron Zig******
otis402

otis402

5 days ago

Take the Lead (Audio CD): Take the Lead Soundtrack http://t.co/lwKEvGV0
ZahnmimreS

ZahnmimreS

5 days ago

My Soundtrack Review: Aaron Zig****** – The Jane Austen Book Club http://t.co/gA7NHBk7 #soundtrack #thejaneaustenbookclub #aaronzig******
adhyputtra

adhyputtra

5 days ago

Steve Theme - aaron zig******
reffianaAR

reffianaAR

6 days ago

Steve's Theme by Aaron Zig****** is pretty simple actually not too complicated, but the impact that it has on me is a tiny bit more complex.